We didn’t even have to discuss it. But the lines, the crowds, the noise, got to us. Gaudi had many fans, judging by the crowd that stood in line for Sagrada Familia, Parc Güell, La Pedrera and Casa Batllo. There was an area in Parc Güell where we nearly had the spot all to ourselves. But not for long. As for the rest of Gaudi’s masterpieces, one simply co-exists with the rest of adoring fans. My nieta and I wanted some quiet time. Ciutat Vella is charming but the La Rambla y Barri Gotic areas are littered with camera-toting humans. A few more meters away and we settled in La Ribera. Still teeming with a vibrant vibe, but less touristy. We liked it better here, including El Born area.
My nieta had Museu Picasso in her bucket list but we failed to buy tickets online. We missed the one in Paris so we just had to check this one out. The line for the museum was tolerable, thank God. Housed in 5 of La Ribera’s centuries-old medieval palaces, we were eager to get in and view Picasso’s earlier works. I have to confess I enjoyed the collection better in San Francisco’s MOMA, but I guess we needed to understand that the collection should be appreciated from another perspective. As I said, these are the master’s earlier works and one traces how his art evolved from the traditional and academic to modernist and contemporary. Imagine his works at age 14. So young, yet his brush strokes spoke of his genius and artistry.
Although born in Malaga, Picasso chose to have this museum in Barcelona presumably because he likely feels more connected to this Catalan city. His good friend Jaume Sabartés had quite an extensive collection of his paintings, prints and drawings but Picasso himself added, albeit donated, much of the museum’s extensive collection. More donations were acquired — from Picasso’s widow, friends, other art collectors and various art galleries. Although the major works on exhibit included early Picasso works like the First Communion and Science and Charity, I am more intrigued by the artist’s portraits of himself and beloved father as well as his 58 “versions” of Velasquez’ Las Meninas.
I am a big fan of Diego Velasquez. His Las Meninas is prominently displayed in the Museo del Prado in Madrid. Pablo Picasso must be a big fan too. But why the 58 versions? What was he thinking? He donated his “recreation” of this major artwork when his good friend Sabartes died in 1968. And this is a quote from Picasso himself:
“If someone wants to copy Las Meninas, entirely in good faith, for example, upon reaching a certain point and if that one was me, I would say..what if you put them a little more to the right or left? I’ll try to do it my way, forgetting about Velázquez. The test would surely bring me to modify or change the light because of having changed the position of a character. So, little by little, that would be a detestable Meninas for a traditional painter, but would be my Meninas.”
— Picasso
Frankly, I still don’t get it. I mean, 58 versions kind of smack of an obsession, IMHO. The pieces jump out in vivid colors, unlike the original piece. But Picasso surely made them “his own” in that “distorted, cubist style” so prevalent in his art. Quite prolific, this artist. Well, he did live to a ripe, full age with not an ounce of passion lost through his many (20,000!) works in an astonishing range of style. Maybe it pays to keep inspired? For sure, he had several muses but I’m not going into that. 🙄
Indeed, Pablo Picasso is one significant artist of the 20th century. He started off being trained by his own father, copying many major artworks, and later inventing and reinventing his art. The world became better. He left us with many creations. As well as notable quotes. Quite a man, this Picasso!
“The very act of creation is first of all an act of destruction.” – Pablo Picasso
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Travels with #aponimamu:(Just click on the link)
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