And just like that, we only have a couple of weeks before the year 2026 sets in. This early, we’ve mapped out some travel plans already for the coming year. Siargao in January. Kerala, India in February. Back to Sydney in March for quite a time, till June. And for the 2nd half of the year 2026, a river cruise along the Rhine. God knows where else we’d find ourselves in in between those planned trips. There’s Hokkaido and Medan, Indonesia in the drawing boards. And of course, that forever plan to watch Messi play — either with Inter Miami or with his national team Argentina for the coveted back to back win in the World Cup. Busy 2026? Perhaps busier than this year 2025. I’ve skipped many trips with my travel mates this year — choosing to spend more time and holidays with the family. All good. 👍
Hiroshima
Started 2025 with a trip to Fukuoka although we stayed in Hiroshima for the most part. Despite the grim reminders of the horrors of war, the white and pink Sakura blooms cheered us up all throughout that spring holiday. For the 3rd time, I visited Miyajima Island to enjoy once more the iconic Torii gate and the succulent oysters and eels the island is famous for. Back in Manila for the necessary preps for a bigger trip to Spain and France. This European holiday is my first trip with a grandnephew based in Sydney, plus a niece whom I wanted to introduce to the camino as well as take to Lourdes, France for some “spiritual experience”. From the Gaudi-inspired city of Barcelona, we took the train to Pamplona and met up with cousins to Saint Jean Pied de Port to Roncesvalles to Lourdes to Paris. It was time very well spent. The sightseeing, the pilgrimage walk, time with family, the art and culture aspects of a trip and most importantly, the bonding time while experiencing all these lovely adventures and creating happy memories.
Walking out of Saint Jean Pied de Port in France to cross the Pyrenees into Spain.
Soon after this European trip, I only had a few days to pack for another holiday. This time, in Bali, Indonesia where more kin from Sydney flew in to join me for 5 days of sun and sand. We made sure the trip is “senior friendly” as my 81 year old sister and brother-in-law are joining. That is not to say this newly-arrived (from a hectic trip) septuagenarian didn’t need a break. Quite honestly, I actually rested so well in Bali. It was truly a relaxing holiday after a fast-paced holiday with a younger set. Just what I needed!
With family in Bali.
Fukuoka in spring. Fukuoka in end of summer. Yes, I returned to this lovely city in September, this time with my “Apos” to attend my nieta’s art exhibit. But I hardly did anything outside of just being present. The twenty-somethings did all the planning, flight and tour bookings. Including all dining and shopping itineraries. Not bad. I can get used to this. We ate well, even if I thought we had too much coffee and ramen. I sat out the shopping part, but I enjoyed the new spots which the younger sets prefer. Besides, we are actually here for the Art Fair Asia Fukuoka !
Before the year ended, I joined my friends for yet another trip — to Kaohsiung in Taiwan. This is my first time here as I’ve only been to Taipei and nowhere else in Taiwan. Just a quick trip. Aside from shopping and eating, I only managed to visit Pier 2 Art Center. On 2 consecutive days, I visited the area which is just a short walk from the hotel we booked. Just as well. The pier is a massive place dotted with brick warehouses cum shopping and dining areas, and parks with very interesting art installations. I’m sure my young family members would love it here. But next visit, I’d be sure to time it during cooler temps. It’s hard to endure the sun in the open-air art spots. The afternoons by the river are more pleasant though.
Pier 2 Art Center. Kaoshiung, Taiwan.
And so, here ends 2025. How has it been? We look back with gratitude and look forward with hope. In a few, the year 2026 beckons. A third of the coming year is all planned out this early but the remainder is still there, leaving room for exploration. For adventure. For surprises. Oh, don’t we all love surprises? I am ready for the coming year. Are you? 💕🎉🙏🍾🚘💃✈️🚂🛳️⛱️🏕️⛰️🏝️
It’s been a meaningful 2024 and there’s still a quarter to go. The exhibit at D Contemporary in the Mayfair area in London will last till October 12 while the Venice exhibit runs till November 24, 2024. While we are still reeling from the Venetian experience in April, here we are in London for yet another milestone in Anna’s art journey. DF Art Agency in collaboration with London’s D ContemporaryGallery exhibited 36 artworks by 17 Filipino artists, with the able support of our very own PhilippineEmbassy in UK. Amb. T. Locsin and Madame Louie Locsin led the contingent of as many as 20 embassy officers and staff, welcoming both London-based Filipinos and British art enthusiasts who attended the very successful affair. We are very grateful.
Anna with Amb Locsin
Anna with Madame Louie Locsin & Family Friends
Anna with her friend, “Ate & Kuya”
There were also a number of Filipinos who flew in from Manila. Quite a lovely, intimate affair with a good attendance and a reunion of sorts among friends. Only Anna Bautista and one of my favorite modern artists Demi Padua from among the 17 participating Filipino artists were around to join Art Manager Derek Flores who helped curate the exhibit. The private viewing was scheduled on September 25 but the exhibit opened to the public on September 27, to run till October 12, 2024. Anna is lucky she has her “extended family” here in London who supported her with their presence — some of those friends who “bought” her earliest works. At the time, she had no premonition she’d really carve a career in arts.
The gallery at #23 Grafton Road is surrounded by many other art galleries worth visiting. On the September 27 public opening, we visited a few before attending the 5pm opening. Once more, I viewed all 36 artworks on the 2 floors and felt proud of our Filipino contingent. DF Art Agency has made us mighty proud of our Filipino artists, and we sure hope the interest in our Filipino artists grows by leaps and bounds. More power. Philippines represent!
Her first solo exhibition was in 2019. That early,her fascination with empowered women spoke through her symbolic “Maria Claras” expressed as modern Filipinas. Through the years, this theme almost always found expression in many of her art works. Somehow evolving, but the message remains and its meaning more clearly professed and manifested. Added in are the iconic abanicos (fans) and the kalachuchi flowers.
A few taking residence in her temporary art studio. In Her Studio
Mona Clara. I remember this as the title of her first painting of a Modern Filipina. Mysterious just like Mona Lisa. “Confused” just like Maria Clara. Maria Clara in today’s language has come to mean either the country’s costume, or describe the traditional, shy, demure, noble and virginal Filipina. It is also one of the main characters in the book “Noli Me Tangere” where she is said to symbolise the state and sad plight of the motherland, our Philippines.
In this artist’s mind, her character MONA CLARA combines the qualities of mystery, tradition, confusion and some traces of humor. Perhaps one can even detect a subversive element. Through the years, the series depicted the Modern Filipina in today’s culture in a very satirical way. The approach and treatment leave the viewer to draw his/her own interpretation. Without question, the artist wittingly invites the viewer to discern a serious message.
LEÓN GALLERYWork In Progress
This 6th solo exhibitionis titled “Redefinition”, which explores, celebrates and challenges what it means to be a Modern Filipina. Using the Filipino terno as a visual device, it is a challenge to the standards set by Maria Clara — by Filipinas themselves, through the brushstrokes of Filipina artist Anna Bautista.
Emblematic of the history of Maria Clara, the Philippine terno has long stood for tradition. These were what a woman was to wear but more than that, what a Filipino woman had to be. It is a living time capsule of the culture,art, fashion, government systems, politics and societal norms that thrived in old Philippine society. Anna believes the Philippine Terno has evolved alongside Filipinas — partly in how it looks, but mainly in what it stands for.
This April 11, 2019 is Anna Patricia Bautista’s first solo exhibit. Showcasing eleven of her paintings, the exhibit will run till April 27 at J Studio in La Fuerza Plaza, 2241 Chino Roces Avenue (formerly Pasong Tamo) in Makati City. The overriding theme of her exhibit is “Art and Consumerism” — so relevant in this time and age of rising consumerism where society’s obsession with material possessions threatens to define what we are. In this young artist’s mind, this mentality is leaning towards a subconscious layering of society that trivialises a person’s true worth and substance. Bordering on satire, Anna’s wit cuts across her art, like broad strokes on canvas.
The Invitation. CONSUMED. Solo Exhibition of Anna Bautista. 2019
Influencer. By Anna Bautista. 2019
McBoodle. By Anna Bautista. 2019
Young, petite and profound. “Anna Bauti” juggles her time between art and school. Her passion for art developed only after she quit from her school’s swimming team. Finding much time otherwise spent doing pool laps, her doodles graduated into portraits and shirt designs. After representing her school in athletic meets, she was soon representing the same school in art competitions. By 16, she found art as her self-expression. A voracious reader, she delighted in expressing her new learnings and experiences through her art. She painted on paper, ceramic, canvas, wood, fabric, and leather using pen and ink, acrylic, oil, gouache and watercolour. She never stopped painting since. By 17, she was painting on walls. At that young age, she gave up weekend parties to work on her murals.
Cariñosa by Anna Bautista. 2019
Manong Andy. By Anna Bautista. 2019
Comme De Garcia. By Anna Bautista. 2019
Early on, she painted animals — dogs, cats, horses. Then she tried portraits.Or just “at the moment” paintings like when she painted a crowd scene inside the Louvre in Paris, a monument in Ciutadella Parc in Barcelona, sketched that famous spider in Bilbao and the seascape of San Sebastián-Donostia. She’d linger as long as 4 hours in an art gallery or museum, walk many blocks searching for street art, and spend lots of time reading art books or browsing in bookstores. Whatever she earned from her art projects, she spent on more art materials and books. She paints for hours till midnight and when she needs to rest her mind, she paints something that is completely unrelated to what she’s working on, as if to “rest her mind”. Call it a “break” if you like. As in mindless painting to rest from some serious painting? Perhaps.Except that those breaks are pretty good artworks too.
Karla. By Anna Bautista. 2019
Maldita. By Anna Bautista. 2019
Luisa V. By Anna Bautista. 2019
Looking at her recent artworks for this solo exhibit, she badly needs her own studio now. The entire house cannot accept visitors anymore whenever she’s in “session”. Her art is all over, so to speak. But it’s the kind of chaos and mess that delights and soothes the soul. Anna never had any formal art lessons. Through the years, her art has evolved and continues to evolve. She isn’t sure what to call her painting style. She wouldn’t even call it a technique – those “blotches” that seem to compose a surprising “whole” when viewed from a distance. Her work invites us to fill in the blanks or to dare make an interpretation while her art attempts to be playful behind a serious message. She is more partial to modern, contemporary artists, curious about their techniques and impressed with their art innovations and representations. Who knows where this passion would lead this young lady? Once I asked her what inspires her to paint. Anna nonchalantly said her mood to paint is prompted by a desire to share something she just experienced, discovered or learned. While others would talk about it, this young miss would rather paint about it. 👩🎨
Chi Gou. By Anna Bautista. 2019
Flag. By Anna Bautista. 2019
Making Limos. By Anna Bautista. 2019
PS. Many thanks to Derek, Lucky, brothers Ralph & Randell, to her Teachers Ayong and Asid, to her many friends who gamely posed for her, and to everyone else who believed in her. Special thanks to those who encouraged her by buying her artworks long before she knew she could make a career out of this passion. 🥰
My name is Anna Bautista. Call me Anna Bauti.
Update: Here’s a couple of articles about the artist and her April 11 solo exhibit.
lifeisacelebration 