Her first solo exhibition was in 2019. That early,her fascination with empowered women spoke through her symbolic “Maria Claras” expressed as modern Filipinas. Through the years, this theme almost always found expression in many of her art works. Somehow evolving, but the message remains and its meaning more clearly professed and manifested. Added in are the iconic abanicos (fans) and the kalachuchi flowers.

A few taking residence in her temporary art studio.
In Her Studio

Mona Clara. I remember this as the title of her first painting of a Modern Filipina. Mysterious just like Mona Lisa. “Confused” just like Maria Clara. Maria Clara in today’s language has come to mean either the country’s costume, or describe the traditional, shy, demure, noble and virginal Filipina. It is also one of the main characters in the book “Noli Me Tangere” where she is said to symbolise the state and sad plight of the motherland, our Philippines.

In this artist’s mind, her character MONA CLARA combines the qualities of mystery, tradition, confusion and some traces of humor. Perhaps one can even detect a subversive element. Through the years, the series depicted the Modern Filipina in today’s culture in a very satirical way. The approach and treatment leave the viewer to draw his/her own interpretation. Without question, the artist wittingly invites the viewer to discern a serious message.

LEÓN GALLERY
Work In Progress

This 6th solo exhibition is titled “Redefinition”, which explores, celebrates and challenges what it means to be a Modern Filipina. Using the Filipino terno as a visual device, it is a challenge to the standards set by Maria Clara — by Filipinas themselves, through the brushstrokes of Filipina artist Anna Bautista.

Emblematic of the history of Maria Clara, the Philippine terno has long stood for tradition. These were what a woman was to wear but more than that, what a Filipino woman had to be. It is a living time capsule of the culture,art, fashion, government systems, politics and societal norms that thrived in old Philippine society. Anna believes the Philippine Terno has evolved alongside Filipinas — partly in how it looks, but mainly in what it stands for.